Antidote lyrics
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I’d met the Utah up and comers before, interviewing them in my home city, and tonight was no different. This was the first gig I was going to in a while, social anxiety had marred the experience of past shows, but this was a night I was determined to see through. It was 2018 and I had decidedly crashed at a friend’s university flat and managed to land guestlist tickets to see The Aces. For me, that space of comfort and community was found in a stuffy venue room in Birmingham. Both artists struck a chord with their audience an open vulnerability that had long been sought after. Almost everyone remembers where they were when Hayley Kiyoko’s Girls Like Girls music video hit the internet, or when Frank Ocean’s Blond was announced. Shouldered between the rise of this new wave of music, it all felt like a tipping point, a coming of age moment as I began to unpack and understand my own feelings.Ī queer renaissance of sorts, 2015 marked a turning point for the community. Their debut record, White Noise, packed with punchy guitars and outspoken lyrics, captured more meaning than I cared to admit. The gloomy emo-synth band, now a two-piece, hit home with their dark electropop sound lines and gothic-inspired image. The Massachusetts band, now led by front act Lynn Gunn, skirted under the radar of the alternative scene, but they found a dedicated home with LGBTQ+ users online. Anchored in the queer rock-pop image of 2015, it wasn’t long until I came across PVRIS. Whether it was the cinematic landscape of her youth-ridden debut Badlands and her cerulean blue hair, I was captivated in this sonic escape.
#Antidote lyrics movie#
Later, their formative works would couch my experiences as if background movie soundtracks. A melodramatic synth-laden anthem, Is There Somewhere swept me up in her cursive singing as she pocketed another fan. Aesthetic compilations of Room 93 EP floated across my dashboard a self-made Tumblr superstar - this was Ashley Frangipane at her beginning. I “discovered” Halsey in a clustered library room back table neglecting what would be a personal statement for university. What began as an obsession with Paramore and Bring Me The Horizon soon spilt over into a subconscious, yet efficacious, search for artists that I really resonated with. So, as a self-effacing teen with a fixation on pop-punk icons and British metalheads, music worked as an emotional panacea. It didn’t take long to figure out what had a place and what didn’t. But, as it happens, some traditionalist natures were unquestioningly absorbed into our daily lives.
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I grew up in an environment shaped, lovingly, by culture and religion. For me, it was like navigating through a mist, unsure, and, for the most part, unprepared. There’s no right way around it and it’s not all bleak and dark, but for some of us, it can be. How trauma and growing up different can shape your mindset and your mental health. We all read stories about overcoming inward anxieties, discomforts with ourselves and how we feel. For as long as I can remember, music has assuaged the rough edges of my depression and anxiety.
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If anything, it’s a tried and tested coping mechanism. It’s not uncommon for me to match my mental monologue to a curated playlist that soothes my thoughts. Set against gently plucked acoustic strings, the singer pondered: “ Well who am I? I’m almost 25 / Can’t remember half the time that I’ve been alive.” And I, newly moved to London and plunged into academia and imposter syndrome, questioned a similar rhythm. A quietly remarkable song, the track settled at the end of the tracklist and, for a good while, at the back of my mind. Its slow tempo beat and compelling lyrics were appealing to the frontier of modern pop. It was moments before an anxiety-inducing university class that I let the lyrics of track 16, 929, ebb away at my own frantic state of mind. An unassuming album, the title alluded to the singer’s situational state one of disarray and unconformity. It was 2020 when Halsey released their third studio record, Manic.